Celine Spring/Summer 2. Ready- To- Wear show report. To monitor the buzz surrounding a show, one doesn't have to look much further than the number of editors and buyers wearing the designer. To offer a tally upon entering Celine's show venue, the tennis club on Avenue Georges Lafont: Nine leather biker jackets in black or Bordeaux (the latter of which, reads I Already Have The Black One), five pieces of this season's laundry bag checks, seven pairs of monochrome wedges, three silk blouses with double- breasted pearl buttons, and too many bags to count. If one were after clues as to what could be in Phoebe Philo's head, the curious geometric blocks her audience sat on, angular and faceted in bold lacquered pops of red, green and blue were a good observation. Turns out, that was her colourway this afternoon.

The energy was palpable as the first model strode out, too quickly to take in the going- ons of that whisper- weight sheer pleated skirt worn under an oversized T- shaped tunic, voluminous at the top and hip- hugging below, decorated in broad sweeping brush stokes - it wasn't a print, but a jacquard as Philo later explained, woven into the fabric. The show notes, a booklet of colour- photocopied images bounded in ribbon, referenced Brassai's Graffiti.

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It wasn't just that energetic painterly motif - everything about the mood of this collection felt new, right down to the clingy, ribbed technical knits and racer back tops inset with enormous chrome rings the size of dessert plates. Her industrial jewellery is a big draw at retail and she was clever to work those ideas into the clothes here. Sci Fi Thriller Cartoons Choose Your Own Adventure - The Abominable Snowman more. She was also smart to set an entirely new fashion agenda not least because Celine, along with Prada, is probably the most referenced brand to exist in recent history. Skirts continued to creep below the knee but her silhouette took a new path; hemlines were jagged and asymmetric, not gently fluting and swooping like in recent seasons. There was a new vibe at play: one that was punchier, tougher, younger, with a layered, collaged quality. To say that Celine ranks high on the covetability scale is an understatement, but today Philo sent out clothes to really live in, and that's not always a factor present at this house - for fear of crumpling those exacting lines. Philo is nothing if not a perfectionist.

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But there was plenty of familiarity here too; details that one could say are fast becoming Celine- isms - frayed necklines and hemlines, fisherman netting which took shape as desirably ragged skirts or else as scrunchy collapsible leather bags streaming in tassels and hugged close to the body. Even the current season's hit plaid popped up again, in green and worked into pencil skirts and funnel neck tops. Certainly, there were many elements to take in, even, a little ethnicity too via fringed trims and the sort of tasselled scarves one could pick up at a Moroccan souk - on a really, really good day."Just power, power to women," was how the the designer -  happily flanked by her two children - told it backstage. Those models bolted out so fast, her audience were left wanting more as the finale wrapped, as one editor asked: "Do you think if we sit here long enough we can watch it all, all over again?" Even if models hadn't charged, but walked out at snail's pace, it was a show that had that effect.